Hammersmith Apollo: Delirious (+ The Cutting Edge Band)
Part of the spectacular lights and backdrop show
It’s hard to overestimate the impact that Littlehampton band Delirious have had on at least a couple of generations of young Christians.
From the early days of The Cutting Edge Band, excitedly heading up a growing youth event in a sleepy Sussex coastal town, to the days of high profile, high impact gigs at Wembley, Willow Creek, Greenbelt, top UK venues and packed stadiums around the world, the band have always had hearts for God, and a strong sense of community.
So it was fitting that the final gig at the Hammersmith Apollo last night felt like a family gathering. Albeit with a storming lights show and a crowd of 5000 packed in.
Kicking off as The Cutting Edge Band, it was the early to mid Nineties incarnate as the d: boys revisited their early back catalogue, bassist Jon Thatcher sporting what looked like a Beatles moptop wig. It was great to hear classics I Could Sing of Your Love Forever, Did You Hear The Mountains Tremble?, I’m Not Ashamed (of the Gospel), I’ve Found Jesus and Thank You For Saving Me again, with a number long established as standards in many churches.
There was even an exhilirating outing for perennial Cutting Edge Band favourite The Happy Song, a country stomp that the band had apparently sworn they’d never play live again. It had the whole place bouncing.
For the second part of the show, as Delirious, the band hopped from album to album, plundering classic live tracks along with memorable singles, and several changes of stage attire.
It was a reminder of the sheer quantity of memorable songs the band have delivered over the years, from modern worship songs like Majesty, My Glorious and Jesus’ Blood to indie anthems Rain Down, Solid Rock and Paint the Town Red. Rock gig or passionate worship gathering? As ever with Delirious, it was both.
It was great to hear King of Fools again, with Stu G delivering the bluesy refrain on a guitar “as old as my mum – and it’s great to have them both here tonight”. Martin Smith delivered a heart-stopping version of It’s OK, another reminder of a man who combines a great voice with real songwriter’s craft.
While drummer Paul Evans, keyboard maestro Tim Jupp and bassist Jon Thatcher kept a bit more in the background and let Martin and Stu G get on with the showmanship, they put in fantastic performances – testament to what a tight and punchy live band Delirious have become with the years of touring.
Much loved former drummer Stew Smith also put in a guest appearance to team up with Paul Evans on a blistering version of Investigate. Other highlights included cracking takes on Deeper and Historymakers, Martin in white cape and crown for a timely reminder of the spiritual poverty of materialism with King of Comfort, and a straight voiced rendition of the Lord’s Prayer – not a regular chorus for the Apollo, one suspects.
Thank yous were effusive, the Delirious daughters appeared on stage a couple of times for energetic dance workouts and all the families came on at the end of the final encore, a heartfelt My Soul Sings (“this is what we do when we run out of words” said Martin).
Video clips reminded us of the band’s history, and on screen goodbyes came from each band member. Martin’s reminded the audience “it’s over to you now” backing up his words from the stage: “it’s always been about you rather than us”.
Monty Python’s Always Look on the Bright Side of Life boomed cheerily out from the PA as we filed out.
An end of an era – but what a legacy. The dancers who dance upon injustice have only just begun …